The universe was telling me something last week. Seems like every podcast and TED talk I heard was an interview with someone at the top of their game, every one exuding passion for their purpose, love of their craft and willingness to risk.
Patti LuPone turned down an opportunity to star in “Les Miz” on Broadway in favor of smaller roles that allowed her to grow.
Whole Foods CEO John Mackey redirected the company from the mundane world of selling products to the purposeful one of “helping heal America.”
Astronomer Natalie Batalha speaks of stardust, consciousness and love while discovering planets orbiting distant stars.
These people throw themselves wholeheartedly into their work. Composer Benjamin Zander said he wants “everyone” to love classical music and he means everyone. He could not feel — or show — passion if the goal were only an incremental increase in classical music fans.
Perhaps these people’s stories drew me in because I’m thinking about the next chapter in my life’s work. My “sensei” Carol Alm has taught me a few new moves that open up the game for me. And Seth Godin’s new book, The Icarus Deception, is prompting me to say goodbye to the old safety zone of compliance and conformity and hello to the new safety zone “where art and innovation and destruction and rebirth happen. The new safety zone is the never-ending creation of ever-deeper personal connection.”
My playlist last week was a soundtrack from this new safety zone.
Mackey was mentored for 14 years by his father — a business professor and successful executive. But when the younger Mackey went for maximum social value rather than maximum shareholder value, they clashed. Mackey fired his dad and set off on his own (they later repaired their personal relationship).
The chief designer of the Tesla electric car, Franz Von Holzhausen, sees himself as “the conductor of an orchestra, bringing together all the arts and elements that make a car — product design, fashion design, sculpture. My job is to make all those different experiences come together.”
Sophie Blackall accepted a commission to illustrate a classic Aldous Huxley book for young adults, which she found to be uncomfortably misogynistic. She artfully remained true to the manuscript and to herself — she drew the disparaged mother crow sleek and larger than the rumpled, hectoring father crow. She also gave mother crow a bag packed and ready under the bed.
LuPone has frequently defied conventional wisdom by taking high-risk, low-fame roles that “scared” her. She lives for her moment on stage: “It’s magical … to have an experience with a group of people. …. Not just your fellow actors on the stage, but people that leave the theater going, ‘Oh my.’ I mean, I’ve done that. I’ve walked out of a production going, ‘Oh my. What street are we on?’ We’ve been transported. We’ve been taken away. … And we’ve experienced something that has changed us.”
Batalha is sure of life on other planets and wonders what connection with them might mean. “We are stardust. Atoms came together to make this being, me. I am the universe, a portal to the universe that is my physical self. I don’t know why we exist, but it’s leading us someplace. And along the way it’s changing us.”
A cool app to help illustrate a story
http://www.haikudeck.com/p/AKYF05PCZH/obamacare-is-coming-get-ready
While lying around with an earache and cough today, I played around with a new app, Haiku Deck, on my iPad. What a fun and compelling way to tell a complex story.
Because I am in health care communications, I am consumed these days by health care reform. It is my job to help people understand what reform means to them. I have found that few people know much about this fundamental change that’s on our doorstep.
So this Haiku Deck I created (link at top of post) is a very basic primer. I used research from Enroll America and Families USA.